Thank you to everyone who auditioned. Please make sure and see Mrs. Castiglione for audition feedback.
Callbacks are Friday, January 10 in the Black Box Theater. You will be doing physical work and reading from the script. Genique Clark Dylan Crane Joseph Curiel Stephen Dawsey Dobby Dodson Louie Gallagher Lily Gomoljak Madison Gulmatico Phoebe Hoeffken Connor Larson Lizzy Legere Sophie Littig Mady Lopez Alyssa Manzanares Kanako Monsen Nikki Ocampo Kira Petersen Tori Peterson John Reinard Cecy Romig-Estrada Leah Schiffer Kobe Takeda Hannah Thiel Luna Timmerwilke Kendal Villa Avery Yanasheski
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Los Alamitos' playful performance of "Godspell"
Many people hear stories from the Bible at times in their lives, either through school or maybe family. But "Godspell" isn't just a typical bible story, it's so much more than that. It transforms typical bible tales into stories that are thought provoking, relevant, heartwarming and entertaining. Entering in all white, singing an angelic tune, Jesus (Amira Aiad) surprises a group of bickering kids, filled with angst and discontent with one another. Aiad simultaneously nurtures the kids while teaching them life lessons. She excitedly involves everyone in the stories so they take away the lessons and morals each story showcases, like camaraderie and fellowship with one another. Her high spirits and constant energy lift up and guide the kids to friendship and love for one another so that when her time with them is over they have each other. The eerie yet feisty Judas (Tori Peterson) dressed in black, to display her attitude towards the unfolding stories. Holds her arms crossed and eyes ready to roll so she's always on the brink of defying and contradicting Jesus (Aiad). As she struts across the stage she exerts her ruthlessness and will to go against those she is growing to love in exchange for power and authority. In the end she recognizes her sins once it is too late to turn back. She hands Aiad over to be executed despite every loving thing Aiad does during their time together. Her true emotion and physical torness adds authenticity and life to her portrayal of Judas. Alexandria Magana's inner diva and breathtaking vocals take life in her miraculous performance. She along with Lizzy Legere light up the stage with their spunk and hilarious comedic moments. Even when the spotlight's not on them they never stop shinning and interacting with everyone around them. Magana being the queen of sass and spirit while Legere is full of spunk and cheer allows them to work together and with those around them to make this show hilarious but also heartwarming. The usage of color throughout the show, with costumes by Summer Rodgers and lighting design by Victoria Bazanich add a level of emotion and attitude to each character. The creativity of the backlighting and the colorful converse each character has gives the production a sense of playful uniqueness. The production of "Godspell" at Los Alamitos demonstrates the importance of love and companionship. by Makena Schendel of Dana Hills -------------------------------------------------- Los Alamitos Casts a Lively Spell on Audiences in "Godspell" "Godspell" tackles the necessity of love as Jesus Christ gathers a group of disciples who he teaches various parables. Between upbeat songs of love and dark moments of betrayal, Jesus leaves the disciples with lessons to carry on beyond his time. With its modern elements and playful personality, Los Alamitos re-ignites a story of kindness and community. Alexandria Magana as Alexandria is captivating in "Turn Back, O Man." She exudes confidence through her powerful belt and how she fully leans into the song's sexy tone. As she crawls provocatively downstage, she embodies the flirtatious fun of this cautionary tale. Tori Peterson excels as Judas, especially when she is separated from Jesus and his disciples. She is in tune with the space around her as she pantomimes being trapped, with nuanced but rising indignation on her face. In contrast is Ethan Nemeth as Ethan, whose comedic one-liner delivery is spot on. He is perfectly offhand in his lines instead of digging for a reaction, which adds a humorous sincerity to otherwise normal moments. The scenic design (Emma Moon) establishes a modern backdrop for this twenty first century rendition of this classic show. The playset and metal fence panel at the back of the stage are not only pops of playfulness, but functional pieces for the actors to interact with. The props crew (Nikki Ocampo, Lizzie Schmidt) juxtaposes the Biblical messages with modern items, like using a hydroflask as the water source for the disciples' baptisms. The faces made out of lights and loops of ducts, which serve as quirky puppets, stand out as added interest for the scene beyond acting. The lighting design (Victoria Bozanich) is colorful but with intention. The lighting adds a whole new dimension of haunting atmosphere when the theater is washed in darkness but for a royal blue background with the silhouettes of the ensemble kneeling around Jesus, whose face is illuminated with a white light. The dark nature of the lights allow the actors to float bright finger lights around Jesus, conveying his radiant righteousness. Overall, Los Alamitos's "Godspell" is a walk through the park, with enduring themes given a modern spark. by Haley Brogden of El Dorado -------------------------------------------------- Los Alamitos takes on Godspell in very colorful way! This rock opera provides a modern look, with multiple perspectives involving the last few days of Jesus' life. With all the singing and dancing the entire cast displays a clear love for one another, something that is really important to the message of the musical itself. There's never a dull moment onstage, the cast members display so much energy and joy for their work it's hard not to pay attention. Micheal Larios and Ethan Nemeth always had the audience laughing with their one-liners, and their comedic timing. Both boys were also wonderful in the songs, the harmonies were very crisp and clear which is not easy when there are the only two males in the show. This show has so much vocal talent, one major standout was Ms. Alexandria Magana. "Turn Back, O Man" is right! She has so much control with her voice and her belts were jaw-dropping, not to mention how she's also fully engaged in the musical while also making the audience laugh with her impeccable comedic timing. Amira Aiad approached her role as Jesus with a careful maternity, and she executes its wonderfully. Acting as a guide to her diciples, she displays such a pure wholesomeness as Jesus and while her role meant to be in a higher power, she never was above any of her disciples she relates to each of them wonderfully. The lighting design by Victoria Bozanich certainly did present the light of the world. Contrasting colors fill up their blackbox as songs such as "O Bless the Lord My Soul" and "Day by Day" play, and the color really add to the effect in creating that happy uplifting tone. Jesus's death was absolutely astounding, the red really intensified the moment while also creating some amazing silhouettes of the actors. The costume coordination by Summer Rodgers really added to each of the characters, while still keeping the modern theme of the musical. Each cast member had a costume that added to their aesthetic whether it was white overalls to show innocence or even brown pants to represent the traitor. Los Alamitos really celebrates the idea of love and hope within this musical. by Claudia Fiallo of Fullerton Union -------------------------------------------------- "Prepare Ye" for Los Alamitos' Godspell The story of Jesus is told through upbeat songs and delightful stage pictures, however the real message of the show is sharing peace and joy with every human on earth is the most important thing in life. Michael Larios is absolutely hilarious. His perfectly timed humor and lovable energy brings a special warmth and comfort to the show. Larios' quick-witted one liners, which are seemingly ad-libbed, are excellent and straight-up comedy gold. His vocals are exquisite with amazing diction and tone. He gives his all and it really shows. Tori Peterson as Judas puts a ton of raw emotion into the character. The way she is able to physically encapsulate Judas' inner turmoil is incredible. In the "Last Supper" scene, she stands across the stage from the table and she draws out pure misery bringing herself to tears to embody the way she feels about the decisions she made. The singing voice of Alexandria Magana is truly jaw-dropping. Her voice is sweet and smooth, but is set in a deeper place which add extremely well to the darker mood of her character. Magana's voice is perfect and really holds the show together. The cast and crew is lead flawlessly by the Stage Manager Mady Lopez with her assistants Genique Clark and Shane Prunty. All of the sound cues and actor entrances are executed beautifully. At the end of the first act, a confetti cannon goes off and almost immediately as the lights come up after the final blackout of Act 1 the stage managers are on stage picking up confetti. By the time Act 2 begins the confetti is gone. The efficiency of the stage management team is incredible and keeps the show moving at all times. The costume design by Summer Rogers is wonderfully crafted. Rogers created the design to make all of the characters have their own color scheme. She also had every cast member wear a different color pair of converse to attribute and develop their characters. The idea to have Jesus wear all white to show divinity and purity was brilliant. Los Alamitos does an incredible job with conveying the story and true message of Godspell. by Cooper Miller of Fullerton Union -------------------------------------------------- Los Alamitos Joyest and Uplifting production of Godspell. Godspell is a musical based on the stories from the Bible, specifically the book of Matthew. The musical follows Jesus Christ when he recruits a group of 9 followers and teaches them various lessons but through song and dance. Amiraa Aiad's interpretation of Jesus on stage was fresh and enchanting to watch on stage. She played the role of the mentor and protector of all 9 of the members on stage with her at all times. Her voice was light and beautiful to the ear, but also raw with a darker quality to her voice at times. This made the intensity of the piece mature, creating a stimulating performance. Alexandria Magana's performance as one of the followers of Christ in this show is nothing less than fabulous and remarkable. Magana's voice is beyond her years, her vocals throughout the show were spine-tingling as Act 2 she opens the show with an absolutely jaw-dropping, and soulful belted outperformance of "Turn Back O Man". In the scenes where Alexandria is not featured but is still on stage, she makes her presence big, bold, and an absolute joy to watch. Alyssa Manzanares's performance as one of the followers of Christ in this show is fantastic, a standout in her cast. She is a shining star when she is on stage. Expressive with her emotions on stage and a big risk taker making acting choices that benefit her and her team for the greater good of this musical. She brings life, energy, joy, and even sadness in the appropriate times throughout the course of the show. Set Design by Emma Moon is visually a feast for the eyes with its simplistic design but big artist choices that created a perfect working atmosphere for the actors to perform in their cozy newly renovated blackbox theatre. A working playground with swings, and a slide. Along with a park bench, and fence working as colorful cyc to change color to create a mood in the piece. Los Alamitos Production of "Godspell" teaches the importance of love, community, and acceptance in a time in society, where we need that lesson more of spreading love and coming together in harmony, and Los Alamitos High School does just that. by Vincent Alatorre of Fullerton Union -------------------------------------------------- Los Alamitos HS Godspell shows religious teachings in a whole new light The stories of St. Matthews radiate from inside a black box theater. So much passion and dedication mixed to create an entertaining new way of reciting the Bible. Coming together, the cast of Godspell beautifully sings to the heavens about the right and wrong ways of living a life for Jesus. Leading the way, Amira Aiad gracefully depicts Jesus Christ. Aiad has fantastic facial expressions throughout the performance as she gathers her disciples and instills true morals in them. Exuding confidence and the all-knowing power of God, her performance is eye-catching. She has incredible chemistry particularly with Tori Peterson, portraying Judas. The two giggle and grin together as they share their passion for the lord. Peterson shows striking grief as her face contorts in pain seeing the effects of her betrayal of Jesus. Alexandria Magana keeps up her extreme amounts of energy, never losing touch of her character. She projects with preparation and characterization, each sentence she recites is refreshing and honest. A skillful singer, Magana exercises her flawless techniques as she belts out every note easily. Sophia Soule adds a versatile and mischevious aspect to the group, along with Micheal Larios. He booms and bellows upon the stage with his distinguished vocality. Constantly changing levels and pitches, his adaptability to each new persona is incredible. Working well with Ethan Nemeth, they all compliment each other's personalities, with their hilarious adlib and side remarks. Engaging and heartfelt, Lizzy Legere shows her undeniable devotion to Jesus. From her soft, yet powerful vocals to her attentive nature, she gleefully skips across the stage, flashing her charming smile. Lighting by Victoria Bozanich expertly uses purple hues to foreshadow the eventual fate of Jesus. As well as a gradual shift, from pastels to darker colors, representing Jesus' downfall. Each cast member wears a certain color representing a characteristic about them, for example Costumes by Summer Rogers has Jesus in white showing sincerity, positivity, and protection. A catching video by Publicity, Louie Gallagher, presents Crosswalk the musical and media influence, geniously used to grasp potential viewers and give them a sneak peek. Learning the lessons of life is always hard, but with the exhilarating cast of Los Alamitos's Godspell, it is unquestionable that even the hardest ones can be taught and received with joy. by Bailey Moroson of San Juan Hills -------------------------------------------------- Los Alamitos' "Godspell" is a gift from God! The small cast of ten students showed all the ups and downs of Christianity at Los Alamitos "Godspell". Mainly based off of the book of Matthew, "Godspell" follows the story of Jesus, his teaching of his disciples, and the harsh reality of a belief in a higher power. Overall, the casts use of facial expressions showed depth, commitment, and character to the show. Their constant adaptation of the story brought hilarious twists to the classic. Using physicality, vocal range, and facial expressions, Amira Aiad steps into the role of Jesus. Aiad beautifully differentiates her character's ability to relate to the disciples and her parental role. Aiad's use of body language flawlessly represents her love of her people. With vocals beyond comparison, Alexandria Magana's portrayal of Alexandria displays emotion and depth. Magana's practice of using subtle facial expressions shows how she really steps into her character and highlight herself in every scene. Additionally, Ethan Nemeth is also able to use physicality to become his character. Nemeth's use of his body creates a fun, sharp, and concise comedic relief. The ensemble never once drops their large amount of energy or let themselves overshadow the larger roles in each scene. The scenic design team did a great job of using what is available to them for the set. They use things like a school bench, a basketball hoop and fence, and even a full play structure. The use of structures typically associated with school playgrounds makes a fun and almost childish space for the actors to use. Along the lines of atmosphere, the light design also utilized their specialties to set the mood. The use of color symbolism in the lighting is also use in costuming design to differentiate the characters. Los Alamitos' rendition of "Godspell" is emotional, beautiful, and eye-opening. With the use of effective tech and wonderful acting they truly put on a magical show. by Grace Roby of St. Margarets -------------------------------------------------- O Bless Los Alamitos' "Godspell" Los Alamitos' High School's production of "Godspell" is a show the actors and crew only used four weeks for preparation, yet is still highly comparable to productions that took twice as time to put on. The show is comprised of eight characters, each with distinct traits, that play different subroles while Jesus explains the parables in the Bible. The stories ultimately lead to Jesus' death, and the disciples mourn yet reflect all the lessons Jesus had taught them through not seeking revenge. Victoria Bozanich's lighting design amplified the groovy yet solemn mood for the entire show. The deep red background light is immediately flashed during Jesus' death, immediately shifting the show's tone from flamboyant to grave. Amira Aiad's portrayal of Jesus accurately reflected the main character in the Bible. Aiad's relationship with his disciples not only conveyed his position as a teacher-like figure, but also emphasized a sense of community and family. Tori Peterson as Judas displayed accurate raw emotion realistic to her character. Even in Act I, Judas would insert hints that would foreshadow his relationship with Jesus in the second Act. Judas' expressions and timing, especially when he threw Jesus onto to fence to "nail" him, created a sense of shock and danger, the first moment the show drastically shifted moods. Alexandria Magana as Alexandria stole the attention with her bright vocals. Although the actors had no microphones and were hard to to hear at moments, there was never trouble in hearing Magana's voice. In "Turn Back, O Man" her volume immediately set her as the main focus and brought out the passion and personality of her character. Ethan Nemeth as Ethan has extremely skillful one-liner delivery. Even though he only had a few words to say in certain scenes, his comedic timing made the this extra touch of humor vital to the show. Through the actor's expressions and the outstanding technical design, Los Alamitos' production of "Godspell" will stay vividly remembered in the audience's minds and hearts. The story of community based on the Bible performed by amazing actors and prepared by a talented crew is definitely worth seeing. by Amy Wang of Sunny Hills -------------------------------------------------- Los Alamitos' Godspell is the Light of the World Based on stories structured around the Bible (specifically the book of Matthew), Godspell takes a journey through various parables and celebrations of things such as loving others, forgiveness, and acceptance. Guided through jubilant and solemn songs as well as dynamic characters, the story of Jesus gradually progresses throughout the astonishing adventure. Adding plenty of humor for the audience to enjoy, Michael (Michael Larios) snatches all focus with his incredible comedic timing. Simple one liners turn into long lasting laughs with his exceptional delivery. Larios effortlessly transitions in and out of various roles within seconds, creating believable characters each with unique personalities differing from the rest. By the use of his amusing physicality, Larios adds another distinct layer of comedy to the production. Belting her heart away, Sophia (Sophia Soule) commands the stage. Her impressive range showcased in "O Bless the Lord My Soul" exhibits the powerhouse Sophia is, causing her to shine brightly on stage. When Soule is not speaking and listening to others, she maintains her high energy throughout the show. Whether through her humorous facials or comical body language, Soule stands out like a shimmering star. The creativity of props (Christina Morris, Kobe Takeda, Lizzie Schmidt, and Nikkie Ocampo) heavily contributes to the production as a whole. The usage of clamp lights and dryer ducts to create large faces creates an interesting scene that invests the audience even more into the story. The use of the slap on white bracelets further elevates the show, showing the unity of the entire cast as they all wear the same bracelets. Lighting Design (Victoria Bozanich) also enhances the performance. The use of red tones to signify betrayal or sins enhances the serious tone of some scenes; whereas white and purple tones symbolize purity and good which brings a more relaxing atmosphere to other points in the musical. The vibrant colors displayed throughout songs support the uplifting ambience of the characters ecstatic singing. Through the phenomenal vocals and terrific talent present in the production, Godspell at Los Alamitos fills the heart and soul with overwhelming emotion. by Ashley Shin of Sunny Hills -------------------------------------------------- In a whirlwind of color, bright lights, and 70s outfits, a diverse group of high school students danced across the stage in a modern reenactment of the Biblical Parables. True to the 70's vibe the show was centered around, Los Alamitos High School showcased a harlequin performance of the New Testament. The musical Godspell by John-Michael Telebak is an unconventional approach to portraying the widely known Bible. It follows Jesus and a number of non-Biblical characters with personalities as colorful as their clothes as they take on a variety of Biblical personas. Los Alamitos High School's production of this play shone through its small but incredibly versatile cast. Many of the cast members were tasked with portraying multiple Biblical characters through their base characters, all of whom were named after their actual names. All of the performances were memorable and endearing. Leading the show was actress Amira Aiad as Jesus. With consistent emotion, the actress built a character that was spiritual, inspirational, and undoubtedly human. The lead convincingly put on a bright and wise teacher persona that also showed another more approachable, emotional side to herself in the second act. Complementing the leads was the equally entertaining group of supporting characters. Tori Peterson, as Judas, portrayed a mysterious and emotional follower that fit well some of the many Biblical roles. Michael Larios, as Michael, served as unintentionally funny comic relief, cleverly delivering quips at the perfect moments. The ensemble brought the audience along on a special ride through the stories of the Bible; although there was a small cast portraying the characters of multiple parables, each parable was distinguishable from the others because of the clear character changes. The technical and stage-related elements of the production complemented the spiritual atmosphere of the show. Props were scavenged instead of made, which was appropriate for the playground-style set. Victoria Bozanich impressively designed the lighting to fit the mood of each song, turning red for the emotional moments and white for the direct Biblical allusions. The subtle detail that went into each part of the stage all game together to perfectly craft the hippie 70s vibe that the show tried to achieve. Through the colorful performances, impressive stage planning, and small but impressive cast, Los Alamitos High School brought to life their contemporary take on the events of the Bible. The show, supported by diverse and strong characters, built a 70s-style biblical world for all types of watchers to enjoy. With the joint efforts of the cast and tech crew, a familiar spiritual story was brought to life. by Susie Choi of Sunny Hills -------------------------------------------------- Los Alamitos High School's Inspiring Production of Godspell Set as a handful of parables from the book of Matthew, Los Alamitos High School's production of Godspell takes inspiration from all walks of life to praise God through song and dance. The production tracks Jesus and his followers to his last days and ending with the crucifixion. What follows is a story of humility, honesty, mercy, and love throughout. With a warmth emitting from her, Amira Aiad (Jesus) plays the son of god with elegance and style. Aiad graces the stage with an infectious charisma through and through. Aiad stays present throughout each scene and conveys a wide range of emotions, all the while never straying from her natural poise. Even in the most despairing of times of the show, Aiad envelopes the remainder of the characters with a loving tone of voice and soft cadence. Serving as the vocal powerhouse of the production, Alexandria Magana (Alexandria) radiates confidence. Magana consistently adapts to the circumstances given to her and displays immense creativity when given the chance to talk to the audience. Magana embodies Alexandria's naturally resilient spirit and complements it with a gusto of her own. Magana takes complete control of her song "Turn Back, O Man" and impresses with her vocal talent as well as her comedic timing. "Turn Back, O Man" features Alexandria as the physical representation as temptation and uses the small, blackbox theater to its advantage by creating an in your face attitude. Alexandria uses this song to tempt and enrage Jesus and quickly becomes the catalyst for the rest of the characters to do the same. Victoria Bozanich triumphs and creates a set of moods that are playful yet full of meaning. Each scene that foreshadows Jesus' death has a tint of purple to acknowledge the future loss of the messiah. Each light was strategically placed with intent to cover as much area as possible as well as contribute to the playground theme of the set. With a committed cast and creative crew, Los Alamitos High School's production of Godspell puts on a show packed with charisma and compassion. by Max Guerrero of Tesoro Anything is "Paw-sable" at Los Alamitos' The Curious Incident of the Dog in the Night-Time
A stage of geometric shapes faces Christopher, who discovers that Mrs. Shears' dog has been murdered. The world of Christopher's linear mind is revealed as he faces the part of the world that truly scares him in order to be his true self. Christopher finds the truth on how Mrs. Shears' dog is murdered. Louie Gallagher, as the Christopher, is the heart of the show. Gallagher employs not over exaggerated, but distinct movements. This constant fidgeting gives Gallagher the true physicality of a child like Christopher. He also embodies this character through his stamina and real thought process of how to solve a problem. Ed, played by Kobe Takeda, gives a dynamic performance. Takeda illustrates how his character shows care through frustration like when he fights for his son to take this exam, despite the teacher's recommendation. Takdea's frustration counters Leah Schiffer, as Judy, who's physicality and tenderness makes Christopher at ease. Schiffer can also feel tension with Phoenix Cooley, as Roger, who's strong persona makes Christopher uncomfortable. A standout performance is given by Hannah Thiel, as the nurturing Siobhan. With her fabulous Scottish accent, she is captivating while being sweet and maternal towards Christopher all at the same time. Thiel is an amazing mother figure throughout the entire show. Emma Meza, lighting design, sets the tone of the show with anxiety and sensory overload. The LED lights installed on the set acts as it's own character in the show. Not only with color but also pattern and speed of the lights affect the tone of the scene. Whenever Christopher touches hands with a loved-one, the LED's calm down along with Christopher. Overall, the Lighting embodies Christopher's emotions. The Curious Incident of the Dog in the Night-Time at Los Alamitos will make you want to reach for the stars. by Blake Berggren of El Dorado -------------------------------------------------- Los Alamitos High School urges audience members to step outside of their world view and into the inquistive mind of a loveable young man with their production of "The Curious Incident of the Dog in the Night-Time." When 15-year-old Christopher Boone stumbles upon a murdered dog in the dead of night, what ensues is an investigation to find the culprit, which leads him to family secrets that crumble and restore the relationships he clings to. Louie Gallagher embodies Christopher with a thoughtful stage presence, down to his constant fidgeting, indicative of his ever-calculating mind. He is always attentive, delivering Christopher's sometimes humorously blunt lines without missing a beat. Everything he says is a genuine reaction, never jumping on his co-stars' lines, which enables each actor to have their moment. Hannah Thiel portrays Siobhan, Christopher's loving mentor, with grace. Her calm cadence of voice sets the tempo for the show and exemplifies the maternal instinct Christopher depends on. Her thoughtful timing is matched by the ensemble, who move without hesitation and with a crucial fluidity, as Christopher's relentlessly quick mind necessitates equally fast-paced scene work. They supplement the set beautifully, as they portray imagery that is not otherwise possible, such as lifting Christopher up like he is floating in space. The technical aspects directly convey the mood, primarily in the projections that serve as the backdrop. The color and timing of the lighting visualize Christopher's mind with minimal effort, like red, flashing lights to indicate sensory overload. One projection that particularly conveys the thematic element of family dynamics is that each time Christopher's dad Ed (Kobe Takeda) reaches out to him, white light slowly comes down in time with a calm sound effect. This repeated connection eases tense moments visually and highlights how they find solace in each other without prolonged physical touch, which Christopher is uncomfortable with. The costume crew also adhered to his tactile sensitivities, as he wears simple fabrics in loose garments, and they took care in using bold, symbolic colors, such as how Siobhan's bright red skirt in act one highlights her importance for Christopher's growth. Each detail of "The Curious Incident of the Dog in the Night-Time" builds a vivid interpretation of the world through the attentive eyes of an under-represented lens. by Haley Brogden of El Dorado -------------------------------------------------- A Curious Incident happen at Los Alamitos in the night-time A curious incident happens in Swindon, England with a dog named Wellington, he is killed. A boy named Christopher finds the murderer through his resourceful work in math. This is the storyline of The Curious Incident of the Dog in the Night-Time Christopher, an autist kid, is very smart. He uses his unique brain in finding clues that leads to the killer of the dog. In searching for clues to the case, he finds out his mother is alive in London even though he was told she was dead. Louie Gallagher plays the part of autistic Christopher wonderfully. He shows off his world of wonderful through his linear perspective of thinking. Throughout the play his fidgeting shows his stress of everyday life. His solid accent is consistent through the two acts. Siobhan is Christopher's teacher play by Hannah Thiel. Through her sumptuous and light-hearted attitude, light is brought into this play. Throughout the two acts she has a solid accent. Kobe Takeda plays Ed,the father of Christopher. Throughout the first act he is angry and furious at Christopher because he was asking questions about the murder of Wellington. Through his anger at Christopher, he shows his disappointment and bitterness toward his son. Judy is Christopher's mysterious mother who he finds in London in the second act. Judy shows her character growth throughout the second act she is overjoyed to see Christopher. She gets protective with Christopher this shows her character's strain from her husband. The ensemble is magnificent they were very consistent as a group. They were very effective with their pacing and flow as group. The ensemble were in time with each other and they never hesitate as an ensemble. The exceptional lighting throughout the play shows the emotions of the characters like red representing anger and fury. Christopher doesn't like to be touched except by his mom the lighting represent the coolness and calming effect his mother gives. The significant costumes represents the relationship between Siobhan and Christopher because both of them were wearing red and red is one of Christopher's favorite colors. In the second act Siobhan wore grey represent she her own person then being less present with Christopher. Los Alamitos production of The Curious Incident of the Dog in the Nigt-Time shows the magnificent mind of Christopher and perspective of linear thought is brilliant. by Kira Ayala of El Dorado -------------------------------------------------- Los Alamitos High School's "The Curious Incident of the Dog in the Night-Time" is genius! Los Alamitos terrifically tells the story of Christopher, an intelligent 15 year old with autism. Christopher's neighbor's dog has been murdered, and he decides to find out who did it. During his investigation, he not only finds out who killed the dog, but unfolds some family secrets. The set design, created by Will Schnieder and made a reality by Sam Neal, meshes perfectly with the light design, created by Emma Meza. The set consists of two large, linear black walls. Neon lights are strung neatly along the walls to create a geometric pattern across the entirety of the stage. This mimics how Christopher, portrayed by Louie Gallagher, thinks very linearly. The light cues, executed by Genique Clark, flow seamlessly into one another to follow Christopher's journey. Lights are used to symbolize anything from the ocean to static of a radio. All of this adds up to a clean, but still visually interesting, production. The ensemble as a whole does a beautiful job of building the world from Christopher's perspective. They move and act as a unit, giving the production fluidity despite how hectic the story may seem. Particularly in the scene when Christopher rides the tube in London, the ensemble works to create a realistic representation of who and what Christopher sees. Nikki Ocampo plays two people that Christopher meets on his journey through London, Lady in the Street and Punk Girl. Each person she plays is distinct from the other and adds life to the stage. When portraying Lady in the Street, she displays haste and slight frustration. As Punk girl, when Christopher jumps onto the train tracks, she expresses true terror and shows a clear arch of emotion. Phoenix Cooley, who performs as Roger, does a wonderful job of intertwining comedic relief into an otherwise unredeemable character. He switches effortlessly between showing that Roger can be a funny guy and also a dangerous and unstable one. The cast as a whole embraces the lighthearted moments, despite it being an emotionally heavy and demanding show. "The Curious Incident of the Dog in the Night-Time" at Los Alamitos High School is a touching and realistic story told by a deliberate technical team and a unified ensemble. by Natalie D'Allura of El Dorado -------------------------------------------------- Cracking the Case of "The Curious Incident of the Dog in the Night-Time" at Los Alamitos A neighborhood dog is found brutally murdered with a pitchfork, and a boy is at the scene of the incident, pitifully rolled up into a ball on the floor with his hands desperately covering his head. An uncompromising logician with an aversion to touch, metaphors, and the colours brown & yellow, Christopher Boone resolves to discover the culprit in spite of all the obstacles standing in his way. From his father to his fear of strangers to his visceral episodes of uncontrollable emotions, it seems that the odds are undoubtedly stacked against him in his endeavors. Thus begins the mysterious story of perseverance that is Los Alamitos High School's "The Curious Incident of the Dog in the Night-Time." As Christopher Boone, Louie Gallagher wears an ever-intense expression that never quite seems to relax, his irritation and fervent contemplation on his face for all to see whenever he bolts suddenly across the stage. With an unapologetically curt, blunt, and often loud manner of speaking, Louie calls attention to the unique workings of Christopher' mind without leaning into the common caricatures associated with people who are developmentally different. Louie's portrayal of a wide range of emotions imbues Christopher with a certain fundamental humanity despite the logic-centric nature of Christopher's mind, from his visceral outburst when reading his mother's letters to his irrepressible excitement in explaining his test's math problem to the audience. Contrasting Christopher's linear, logical thinking process, Leah Schiffer, playing Christopher's mother Judy, is a person driven largely by emotion, with her appearance to him, through her letters in the first act, being repentant and apologetic as she tearfully begged for his forgiveness. Her desire to make physical contact with her son and have him stay in London conflicts both with Christopher's hatred of touching people and his desire to take his A-Level Maths test, Judy's anguish and heartache at this unbridgeable rift between her and her son is reflected through her tears, the desperation in her voice, and the cautious manner in which she interacts with Christopher. Throughout the production, the light grid (Emma Meza) located on the wall behind the stage makes use of a variety of different colours and patterns to brilliantly convey Christopher's perception of a situation. For example, Christopher's sheer discomfort in arriving at his mother's home and encountering Roger (Phoenix Cooley) is demonstrated by the light grid's shift to a yellow colour, particularly worthy of attention both because the light grid had never been the colour yellow prior to that moment and because yellow is Christopher's most hated colour. The striking shade of red used to represent Christopher's emotions reaching a fever pitch and the use of purple during Christopher's musings about outer space are additional notable examples. At Los Alamitos, this suspenseful and heart-wrenching tale serves as a reminder of the importance of determination and accepting the differences of others, the innate humanity in every person, and the incomprehensibly complex nature of higher-level math. by Abraham Nguyen of Fountain Valley -------------------------------------------------- Be prepared to be fully immersed with Los Alamitos's production of The Curious Incident of the Dog in the Night Time as you follow Christopher, a fifteen year old boy with autism, through his heartwarming and nightmarish adventure to find out who killed Wellington, his neighbor's dog, and in the process, discovers more about his father than he ever expected. The honest and logical Christopher, portrayed by Louie Gallagher, walks left right left to each door in his neighborhood and meets many sweet and brash people. Louie Gallagher does an impeccable job of not creating a caricature throughout the duration of the play. Siobhan, who is one of Christopher's school teachers played by Hannah Thiel, adds to the immersion by giving a better idea of what is happening inside of Christopher's head. Thiel's caring scottish accent as well as soft tone of voice showed how much she wanted to protect and nurture Christopher. In the second act, Costumes show how each of the characters have changed. Christopher goes from wearing a red hoodie, which is his favorite color, to wearing a blue hoodie, and Siobhan switching to gray colors. However Mrs. Gascoyne, played by Kira Petersen, steps in to add comical relief each time she appears onstage. Her quick but impactful lines were said in such a way that broke the tension onstage in a much needed way. Throughout the show, LED striplights were used to display visually what was happening inside of Christopher's head. For example, during moments of panic, the strip lights would flash vibrant reds in patterns that evoked panic, but in times of thought they would flow up and down across the grid with blues and whites. The stage hands only helped to make the experience better as each of the transitions were efficient and without error. In terms of marketing, Chalk drawings around the school as well as multiple trailers were created to promote the show. by Alex Wittick of Fountain Valley -------------------------------------------------- Bravery comes in many forms in Los Alamitos' "The Curious Incident of the Dog in the Night-Time" Honest and heartwarming, Los Alamitos High School's production of "The Curious Incident of the Dog in the Night-Time" explores how obstacles aren't the same height for everyone. The play begins with a death. Pixel tape forms an LED grid on the set's black backdrop. A spotlight illuminates the hunched figure of Christopher Boone (Louie Gallagher), who looks down at a grisly scene: his neighbor's dog, Wellington, dead. A pitchfork through his body. The shocking reveal is a testament to the props team (headed by Christina Morris) who created the nearly life-like dog from scratch. The story follows Christopher (Gallagher), a fifteen-year-old, autistic boy living in Swindon, England with his father, Ed (Kobe Takeda). Christopher takes it upon himself to jump out of his comfort zone and solve the murder of Wellington, despite his father's warnings not to. The show also has an unconventional take on props and ensemble. In several scenes, ensemble members are used to portray objects, like the items Christopher finds in Ed's room, or a couch for Christopher to lean on; they lift him up as if he were in space and carry his mother in a flashback, like an ocean wave. Most interesting is when Christopher goes door to door asking about the murder of Wellington. Each stands next to an acrylic-lit box, and a spotlight illuminates each as Christopher rings their doorbell. Because the main character is on the autistic spectrum, Gallagher and the costume department (headed by Hanna Thiel) wanted to give an accurate representation of Christopher, rather than give an unrealistic caricature. So, Christopher and the other characters sport clothes with respect to his tactile sensitivity, and Gallagher shows several habits to portray his character. At almost any given point, he's messing with his hoodie strings, playing with his railroad set, or rocking on his feet. When other characters move to touch him, he either tries to retaliate or jump away in a startled fright. Still, he shows Christopher to be incredibly confident, especially in the after-bows scene where he raced across the stage to explain his favorite math problem. With outstretched arms, he proudly shouts the solution. A nearly cinematic production with its effects, Los Alamitos' "The Curious Incident of the Dog in the Night-Time" is equipped with strong actors and skillful technological elements. by Amy-Grace Ratanapratum of Fountain Valley -------------------------------------------------- "The Curious Incident�" at Los Alamitos High School is Sensory Satisfying Inspired by the murder of his neighbor's dog, Christopher, an autitstic 15 year old boy, journeys through a plot of self discovery whilst unraveling a long kept family secret. Through a simplistic yet captivating set, and a most effective ensemble, Los Alamitos thoughtfully brings "The Curious Incident of the Dog in the Night-Time" to life. Louie Gallagher develops an honest and genuine character through his expression of Christopher. Although he is onstage for the entirety of the show, he never loses the intensity on his face or the focus in his eyes. Quick movements throughout his chaotic train station expedition and heartbreaking whimpers uttered from emotionally intense moments with his parents, captured the physicality and the psyche of an autistic child convincingly. The leading man is only as strong as his ensemble. The ensemble is not only various characters in the play, but are key elements to the set. When Christopher comes home from school, the ensemble assumes their positions: floor mat, coat hanger, and bed. The ensemble adapts to Christopher's specific recollections of events through quickly and cohesively reacting when a goal is made in a f�tbol game, all of the them jutting forward as one unit. The set, though simple, Will Schneider created a beautiful manifestation of the linear mind of Christopher. Lining the stage in twelve foot flats, the set was divided into squares by LED lights. White boxes also lined the stage to be used as furniture for scenes throughout. There were also square compartments in the middle of both sides of the set where Christopher could grab a new set of train toys, or perhaps food from a fridge. Marketing and Publicity utilized an impressive amount of creativity and platforms to spread the word about their show. With social media, posters, trailers, and even chalk outlines of dead dogs, Louie Gallagher effectively advertises to the community. A poster titled "Lost Dog" would catch the attention of many students, and with further investigation would learn that it was only an advertisement for their show. Mathematics and family are just a part of life, but to experience this through the lense of a child who is sensory sensitive changes the perception of the atoms around you. Los Alamitos' seamless and schematic fluidity of this show, valuably expressed the importance of a little determination and perspective. by Crystal Martin of Fountain Valley -------------------------------------------------- Los Alamitos kills in "The Curious Incident of the Dog in the Night-Time" As the audience fills their seats, neon lights flood the stage of Los Alamitos High School, matching the brightness of the production to come. "The Curious Incident of the Dog in the Night-Time" follows the story of Christopher (Louie Gallagher), an autistic fifteen-year-old boy who becomes a detective following the mysterious death of his neighbor's dog. When he gets too deep into the investigation, it challenges everything he thought he knew. Louie Gallagher as Christopher is at home on the stage; he moves through time and space seamlessly in his subjective reality. Gallagher takes on a difficult role with grace and heart-wrenching truth, whether clutching his knees and screaming in an episode, or sauntering through the neighborhood with resolve. As Siobhan, Hannah Thiel is utterly captivating. Her gentle voice, soft and subtle Scottish brogue, and constant smile make her portrayal of the teacher convincing and heartwarming. Together, Thiel and Gallagher have irrefutable onstage chemistry. They seem to understand each other completely, in both comedic and dramatic scenes. A standout moment between the actors is towards the end, when Siobhan asks Christopher if he still wants to take his A-levels. "It will just be what you want and that will be fine," instructs Thiel, and both actors seem to let their guards down completely, stripping the scene down to a raw human connection. The cast and creative teams work impressively well together. When Christopher goes door-to-door in his investigation, stage manager Genique Clark does not miss a beat, despite juggling sound, two light-boards, and watching the actors. Hannah Thiel's costumes reflect not only the character's respective personalities and growth, but their dynamics with one another. Siobhan wears a red skirt, Christopher's favorite color, to symbolize their connection. Christopher and his father (Kobe Takeda) start the show on the same page, with relatively similar color schemes, but as they grow apart and Christopher becomes a foil of his father, Christopher becomes brighter and Ed becomes duller. Blending elements of tech and performance with style and sophistication, Los Alamitos Drama's production of "The Curious Incident of the Dog in the Night-Time" warms the heart and lifts the spirit. by Delaney Schultz of Fountain Valley -------------------------------------------------- Los Alamitos put on a breathtaking performance of The Curious Incident of the Dog in the Night Time. Telling the story of a fifteen year old named Christopher who is on the spectrum of autism is caught in the middle of what is one of the biggest mysteries in his neighborhood, who killed Wellington. During the course of the play the audience is thrown with many twists and turns throughout the performance. �������������������� The audience was brought into the mind of Christopher, showing the audience how he views the world. Louie Gallagher did a realistic performance of the fifteen year old Christopher, the research that went to enhance the characteristics bringing the portrayal of the character to the next level. Louie made choices that really captured who this character is. Something that stood out was the way he went into his panicked mind, how he was able to keep the energy going no matter the scene went. �������������������� The effects of the colored lights lined along the wooden fixture of the set brought another level to the play. although it was minimalistic the lights brought how Christopher was going through mentally. Each time him and his mother or him and his father held out their hand to touch Christopher and ask if it was okay, the lights changed in an instance showing the tension and the relief of the small gesture. With the lights being linear it took a step further showing Christopher likes linear things, also bringing us to his mind set. �������������������� Leah Schiffer portrayed Judy who built the climax of the play. Leah did a fantastic job as she took the stage as a mother who has a son like Christopher. Even though Judymay not have known much about how to help him in his times of need, she made sure she was there trying. Leah did this in a way that was so real that it made things climb into climax wanting to pay attention to what she was going to do and handle it. She had a great chemistry with Louie which was enjoyable to see in the mother son relationship. by Skylar Sterbling of Fountain Valley -------------------------------------------------- Los Alamitos' The Curious Incident of the Dog in the Night-Time is tactical and linear, yet heartfelt. The story of Christopher, a fifthteen year old autistic boy, and his adventures of finding who killed his neighbor's dog brings heartache and pain but also brings heartfelt and lighthearted moments. Christopher (Louie Gallagher) shows his world through storytelling. The overwhelming feeling he gets is shown through his incredible physicality. His interactions with Siobahn (Hannah Thiel) show the true connection and safety he feels with her. Siobahn's contrast between talking with Christopher and reading what christopher had written is distinguished and beautiful. Judy's (Leah Schiffer) emotional investment in Christopher shows her motherly instincts and shows that she really loves him. Christopher uses the letters Judy wrote to him to help him get through a fight between him and his dad. Ed (Kobe Takeda), Christopher's father) plays a significant role in Christopher's adventure and story. His connection with Christopher grows throughout the story and we see that through his interactions and body language when around Christopher. The lights (Emma Meza) show Christopher's overwhelming anxiety and sensory overload through strobing LED strips that are on the set. They use more natural and muted colors in the more intimate moments to show Christopher's comfort levels with his surroundings. The set (Will Schneider) is very linear and geometric to show Christopher's perspective on life. The use of muted colors used by costumes for the Ensemble (Hannah Thiel), is an insightful idea as it shows the colors that Christopher associates with comfort. Publicity (Louie Gallagher) used chalk outlines of the dead dogs body to spark interest and curiosity around campus. The use of missing dog flyers was a new and exciting idea to publicize the show around the campus and the city. Los Alamitos' The Curious Incident of the Dog in the Night-Time bring us into the incredible world of Christopher and his adventures. by Emily McCardell of Fullerton Union -------------------------------------------------- Los Alamitos High School's stunning production of "The Curious Incident Of The Dog In The Night-Time"was meticulously executed, and beautifully portrayed. The show takes the audience on a journey throughout Christopher's mind. As we learn in the beginning of the show, Christopher has a severe case of autism and sees the world differently than others. The audience gets to take a look inside his unique and developing mind and what happens to it after he witnesses his neighbor's dog Wellington get murdered. Louie Gallagher's performance of Christopher is incredibly moving. He will intrigue you with his captivating character choices every second of the show. Gallagher studied the special need students, and their actions and characteristics, to make sure that he did not portray the character improperly on stage. An excellent performance is also executed by Hannah Thiel, who plays the role of Siobhan. Her softness and tenderness she gives the character makes the audience feel welcomed into the world along with the actors. Her charming expressions fit in perfectly to the tone of the show. The roles of Ed and Judy are excellently displayed. Kobe Takeda as Ed, takes his emotions to the next level. When he raises his voice and gets angry at Christopher, you can feel the tension and rage in the room. Judy on the other hand, played by Leah Schiffer, makes impeccable character choices. She plays an undeniably incredible role, and I enjoyed watching every second of her performance. There are almost no words for how wonderful the ensemble for this show is. Every cue, entrance, and exit are spot on and sharp. I applaud the stage manager for helping with those transitions. The certain scenes that include the ensemble are absolutely brilliant, and near to perfect. Also, The accents used in this show were very tasteful and not overbearing, which, as a whole, fit in beautifully! The tech elements of this show add so much to the plot. Two of the technical elements I noticed are the use of lights, and costumes. The lights are synced to Christopher's emotions, so when they change, the lights change color along with him. The various neon aspects in the show add to the theme, and help to clarify the plot even more. The costumes are another crucial element to this captivating show. The costumes the ensemble wears are made up of majority blacks, whites, and neutrals, so that the colors wouldn't be to abrasive and take away from Christopher's thoughts. The choices made by the costume designers are very smart, and overall thoroughly enhance to the show in various ways. With a unique and intense story, a splendid cast, and incredible technical elements, "The Curious Incident Of The Dog In The Night-Time" at Los Alamitos High School, delivers a groundbreaking show, that is simply flawless. by Chloe Laursen of Orange Lutheran -------------------------------------------------- Los Alamitos High School's production of The Curious Incident of the Dog in the Night-Time was a truly great one. It was about a boy named Christopher who finds his neighbor's dog dead. The dog, named Wellington, had been stabbed by a garden fork and had obviously been murdered. Christopher takes it into his own hands and decides to solve this mystery, however, along the way he discovers that there is more than just one mystery that needs to be solved. From the lighting design, to the set design, to the incredible acting, this was a great show. Los Alamitos High School had a solid marketing plan to spread the word of their production. They used social media, posters, and even the outline with tale of a dead dog around their campus. They also had a well thought out costume design as well, such as having Siobhan wear a red skirt to show her connection to Christopher. There was versatile hair and makeup presented in order to allow the ensemble to play many different roles. A truly smart idea that this school demonstrated was their cabinet doors that were used to transfer props to actors. This method really flowed with the show and was not awkwardly placed. The fake Wellington prop was also stunning, the director stated that a student had made it from scratch which is unbelievable. The acting throughout the show was a sincere representation of what it would be like to actually live through this story. Louie Gallagher did an incredible job at executing his role of Christopher. He obviously had done extensive research on specifically how to portray this character without being too overly dramatic. A small thing that he did that showcased his broad research was he always made sure to fidget in some way. Leah Schiffer who played the role of Judy had great interactions with Christopher and it really showed her connection and growth. Kobe Takeda who played the role of Ed did a great job at portraying his character as loud and angry, while still showing that he is caring and patient with Christopher. Hannah Thiel who played Siobhan was neat narrative aspect that added a lot to the entire show. There was also a very versatile ensemble that each and every person was important to. For instance, during the train scene, they all worked together to make an extraordinary and different representation of riding a train. On stage the lights and set design both worked together very nicely. Together they were able to add a certain dynamic to the entire production. They both worked together in perfect harmony in order to continuously change the mood and emotions of both the characters and the audience. It was also very effortless but important that they assigned certain light "motions" to certain repeated actions. by Kayleigh Gilbert of Orange Lutheran -------------------------------------------------- Los Alamitos's "The Curious Incident of the Dog in the Night-Time" is Brilliant Los Alamitos students take on the challenge of portraying the inner workings of a boy with mental disabilities in "The Curious Incident of the Dog in the Night-Time", a stage adaptation of the novel by Mark Haddon. A boy named Christopher finds his neighbor's dog, Wellington, dead with a garden fork in his torso. The play follows the journey of his investigation to find out who killed the dog, along with other mysteries about his life that unravel from there. Suffering from a mental disability in the current day, the play also shows Christopher's difficulty in socializing with and understanding others. Louie Gallagher commands the stage wonderfully as Christopher. He very honestly and faithfully portrays a person suffering from a disability. Something about him is always fidgeting, whether it be his head, mouth, hands, or feet, Gallagher shows that his character is always thinking about something in the way his body moves. On stage for the larger part of the two-hour show, speaking in bold paragraphs, Gallagher never stutters, and wonderfully carries the role. The entire ensemble takes on the challenge of speaking in British accents throughout the show. With the various accents, every line spoken is understandable and grows the world of Swindon and London, England. They buzz around the stage quickly to show the linear nature of Christopher's mind. The stage is covered in geometric boxes lined in LED lights and is very minimalistic, and the lighting, props, and set design come together wonderfully to portray Christopher's mind. Genique Clark manages the stage, and it seems as though a cue is never missed. The lighting, by Emma Meza, supplements the story with great emotion. It turns red when Christopher is upset, blue when he is imagining things about space, green as he thinks, and white in his real-life interactions. "Curious Incident" is real, uncomfortable�in the best way, and comical as it portrays the inner workings of Christopher. The students do a stunning job of portraying this in all aspects to bring together a wonderful piece of theatre. by Meg Rocha of Orange Lutheran -------------------------------------------------- Los Alamitos' Poignant Production of The Curious Incident of the Dog in the Night-time When a brilliant and curious teenager with high functioning autism finds his neighbor's dog dead by garden-fork, he naturally sets out on a mission to solve the murder. As the truth unravels, Christopher gets much more than he had bargained for. Louie Gallagher (Christopher) produces and maintains a uniquely complex character through sharp delivery and acute timing. Gallagher's commitment is seen clearly by mannerisms so natural they seem subconscious to the actor. He executes Christopher's linear and straightforward thinking effortlessly which in turn highlights Christopher's steadfastness to always do what is morally right. Furthermore, Gallagher conveys Christopher's objectivity towards his surroundings so naturally that the entire production is seen through Christopher's eyes. Serving as Christopher's guiding light throughout the journey, Siobhan (Hannah Thiel) stays poised and reassuring in Christopher's greatest times of need. Thiel maintains an immaculate Irish accent that only adds to her natural stage presence. Thiel's maternal cadence and volume became an anchor to the sometimes hectic circumstances on stage. Thiel's portrayal of Siobhan emitted a warm, natural energy that softened the edges of Christopher's chaotic thought process. Since the entire production is told from Christopher's point of view, the lighting done by Emma Meza must display every exaggerated opinion that Christopher has. For instance, when an altercation between Christopher and his father Ed (Kobe Takeda) arises, red light encapsulates the two with a brighter red closest to them, then saturated red on the far ends of the stage. This frames the heated clash between stubborn son and furious father. On the contrary, when Ed and Christopher bond with only the grazing of each other's fingertips, golden light floods the stage which creates a sense of mysticality that lingers in the air long after the sequence has passed. The projections (Alexi Amescua) give insight of what is zooming through Christopher's mind which visually heightens his feelings and contributes to the overwhelming world around him. The train station provides a plethora of stimulation for the already sensitive Christopher- flashing signs and public announcements. All whizzing by the screen with an intention only to fluster. These projections further immerse you in Christopher's world. With a talented cast accompanied by a visionary crew, Los Alamitos High School's production of The Curious Incident of the Dog in the Night-time proves that you can do anything. by Max Guerrero of Tesoro Thank you to everyone who auditioned. Please remember to take some time to get your audition notes from Mrs. C.
Tech applications are available in the tech hall. Please consider getting involved with one or both of these productions. Cast Members: There is a MANDATORY cast meeting for both casts on Friday, August 30th from 3-5pm. You will get scripts, and go over business elements of the shows. Be prepared to stay the entire time. Curious Incident of the Dog in the Night Time Christopher – Louie Gallagher Siobhan – Hannah Thiel Ed – Kobe Takeda Judy – Leah Schiffer Mrs. Shears/Mrs. Gascoyne/ Shopkeeper/Voice 1 – Kira Petersen Roger/Duty Sergeant/ Man Behind Counter/Drunk 1/Voice 5 – Phoenix Cooley Policeman /Mr. Thompson/ Drunk 2/Man with Socks/London Policeman – Ivan Perdomo Reverend Peters/Voice 4/ Station Policeman– Luna Timmerwilke Lady in the Street/ Information/Punk Girl/Voice 3 – Nikki Ocampo Mrs. Alexander/Posh Woman/Voice 6 – Madison Gulmatico Number 40/Woman on the Train/Station Guard – Mickey Guldimann Mr. Wise/Voice 2/Uncle Terry – Alexander Brown GODSPELL Jesus – Amira Aiad Judas – Tori Peterson Nick – Alyssa Manzanares Telly – Ethan Nemeth George – Michael Larios Anna Maria – Lizzy Legere Lindsay – Sophia Soule Uzo – Aly Larsen Morgan – Alexandria Magana Celisse – Lily Gomoljak Thank you to everyone who auditioned!
We will NOT be holding callbacks for either show. The cast lists will be posted on Thursday evening. Thank you! Congratulations to the 2019-2020 Los Al Live Team! Please remember to get your permission form signed and payment made to ASB. Bring the receipt and the signed paper to Mr Barker. We will meet next Wed on minimum day (August 28th) immediately after school for 10 minutes to go over some details for the show the following week. Daniel Barker
Mac Barringer Xander Bystrom Joseph Curiel Grace DeJohng Isabella Frith Louie Gallagher Sydney Given Lily Gomoljak Madison Gulmatico Aly Larsen Connor Larson Lizzy Legere Ethan Nemeth Kira Petersen Leah Schiffer Sophia Soule Hannah Thiel Sofia Wesson Abby Young Thank you to everyone who came out to audition today. You were all FANTASTIC! The group below has made the first cut. There will be a meeting and practice on Wednesday, August 21st in Room 409(Mr. Barker's room),from 2:45-5PM.
Daniel Barker Mac Barringer Xander Bystrom Alex Cannizzaro Cameron Cleve Jospeh Curiel Grace DeJongh Isabella Frith Louie Gallagher Sydney Given Lily Gomoljak Madison Gulmatico Aly Larsen Connor Larson Lizzy Legere Sophie Littig Ethan Nemeth Diego Mungia Kira Petersen Summer Rogers Leah Schiffer Taliya Shurki Sophia Soule Hannah Thiel Luna Timmerwilke Sofia Wesson Abby Young Thank you to all of you who spent the afternoon in callbacks. You did NOT make this casting very easy at all. Thank you for your professionalism, and bringing your work to us. I'm really looking forward to what next year has in store. And, as always, please come and get your audition notes.
Cast members. We have a cast meeting on Tuesday, May 21st in the Drama Room from 3-5pm. Please be prompt and bring a pencil, highlighter, and water. CAST: Henrietta Leavitt - Mady Lopez Margaret Leavitt- Kira Petersen Peter Shaw- Louie Gallagher Annie Cannon - Leah Schiffer Williamina Fleming - Hannah Thiel Stage Manager - Shane Prunty ASM - Genique Clark ASM - Lizzie Schmidt Set Designer - Will Schneider Technical Director - Kainoa Dagampat Assistant Tech Director - Sam Neal Master Carpenter - Amira Aiad Scenic Artist - Summer Rogers Props Manager - Christina Morris Assistant Props Manager - Kobe Takeda Wardrobe Management - Chloe Munsell Lighting Designer - Emma Meza Master Electrician/OP - Victoria Bozanich Audio Engineer/OP - Will Schneider Publicity Manager/Design - Louie Gallagher Assistant Publicity Manager - Mady Lopez We Are Still Hiring For: House Manager Concessions Lead Tickets Lead Carpentry Crew Paint Crew Thank you to everyone who auditioned today. I was SO impressed with your professional dress, your professional slates, and the choices you made with your monologues.
I have notes for each of you on your auditions, so feel free to come and get them from me. Callbacks are tomorrow, Friday, May 17th at 3pm in the Drama Room. You will be reading sides from the script. Amira Aiad Louie Gallagher Mady Lopez Alexandria Magana Nikki Ocampo Kira Petersen Tori Peterson Leah Schiffer Kobe Takeda Hannah Thiel Thank you to everyone who auditioned for placement for drama classes for the 2019-2020 school year. You are all some amazingly talented kids, and I can't wait to see what next year has in store!
Beginning Drama Kamrin Burney Sarah Caesar Kanela Glenn Jack Hardwick Fernando Holguin Adam Jorge Derek Ledesma Sophie Littig Kelsey Little Jack Lucas Ian Margetis Kaylie Martinez Lorenzo Morales Diego Mungia Sabrina Navarro Jacob Nguyen Evan Overett Alisha Packard Jax Parr Talia Shurki Joey Sumaron Shane Tolentino Jaden Valenzuela Janelle Wilson Intermediate Drama 1 Alexi Amescua Timia Baines Alexander Brown Amanda Brune Rene Cardenas Lyndsay Carey Clara Devlin Zoe Garate Italia Giordano Gabriel Henderson Alexis Norberg Sarah Poostdoozan Jack Roberts Landon Small Intermediate Drama 2 Daniel Barker Cameron Cleve Toni Clingan-Puhr Joseph Curiel Phoenix Cooley Hailey Dodson Summer Drake Lily Gomoljak Percy Guerin Phoebe Hoeffken Clair Kang Michael Larios Connor Larson Kanako Monsen Chloe Munsell Nikki Ocampo Ivan Perdomo Rian Stout-Ryder Maxime Segui Lizzie Schmidt Emily Smith Kendall TannerCarr Luna Timmerwilke Kendal Villa Samantha Wildman Avery Yanasheski Advanced Drama Amira Aiad Genique Clark Dylan Crane Louie Gallagher Mickey Guldimann Madison Gulmatico Lizzy Legere Mady Lopez Alexandria Magana Alyssa Manzanares Christina Morris Jo Murphy Samyra Owens Paisley Parent Kira Petersen Tori Peterson Shane Prunty John Reinard Silky Robinson Summer Rogers Cecy Romig-Estrada Leah Schiffer Sofia Soule Kobe Takeda Hannah Thiel |
AuthorLos Al Drama Director Archives
October 2023
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